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Pulp - His'n'Hers

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encountered in the post-punk era of the band Pulp, led by Jarvis Cocker, would not be successful until much later, when the fashion of so-called Britpop (Oasis, Blur, Suede, Elastica ...) was established in the British Isles and by extension throughout Europe.
Great lyricist, with tones that both go through satire to cynicism and dark melancholy notes, Cocker was leading a basically art-pop band of smart and stylish good looks picked sonic influences of new wave 70's, David Bowie, Roxy Music, or Scott Walker.





The big break came Pulp into the mainstream with its entrance on Island Records, who knew how to promote the best work of their discography after passing Gift, where singles recorded between 1992 and 1993 as "OU (Gone Gone) "" Babies "and" Razzmatazz. " "Babies" was included in the compilation "Pulpintro" (1993) and its fourth largest studio album, "His 'n' Hers" (1994), an album produced by Ed Buller (Suede, The Boo Radleys), which resulted in a notorious commercial reception, causing the popularity of Cocker, amplified with bombastic public statements and for its direct, as happened at the famous Glastonbury Festival.

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The Jesus & Mary Chain - Psychocandy

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The state of British pop in the first half of the 80 was suitable for a young squad expel vomit sound arrogant. The ridiculous lavishness of these new romantic (bizarre mixture of American rolled up, supposedly deluxe class and attitude and image of the new rich to whom the glamor you several sizes too large) was the perfect breeding ground for reaction was in all corners Island pop. I remember that phrase recalling Bobby Gillespie the time: "We were the fucking Velvet Underground in a world full of Dire Straits" and I find more graphic idea to put aside the ridiculous headband Mark Knopfler and on the other hand, sunglasses William Reid. Spandau Ballet, Eurytmics, the worst in history Pretenders, Duran Duran and in the middle of it jumps the pump: "Upside down" a pop punk 7 "in the yuppie 80's pop. He had discussed the new Sex Pistols But what of the JESUS \u200b\u200bAND MARY CHAIN \u200b\u200bwas certainly much more radical, dangerous and extreme. And destructive. It was 1984 and the Luciferian single (with "Vegetable Man" Syd Barret in the face b) was the twelfth reference seal Creation. In November goes on sale. In May the following year had sold 35,000 copies.

All 80 had crash!. The JESUS \u200b\u200bAND MARY CHAIN \u200b\u200bat that time consisted of brothers William and Jim Reid, bassist Douglas Hart and drummer Bobby Gillespie (the current leader of Primal Scream). Between 1983 and 1984 recorded several demos and offer concerts in his native Scotland and England with his terrorist mellow in tow. In one of these concerts, held at The Living Room attacked during the sound check, the classic "Somebody to Love" Jefferson Airplane and found that there was Alan Mcgee, the boss of Creation that, dazzled, proposes to release a single in seal, the aforementioned "Upside Down." "With every sound I still like I'm going crazy "it said. Not only they were crazy, inflamed public and press. At that time Neil Taylor passed sentence in the pages of the now ailing New Musical Express" Jesus and Mary Chain are the best group world ", the audience turned into a pitched battle each of his incendiary concerts and they, proud, arrogant, authentic noise hooliganism knew: the world was his.

The impact of" Upside Down "was such that the Black & White label, WEA subsidiary recruits on their roster and in 1985 produced three singles: "Never Understand", "You Trip Me Up" and "Just Like Honey", all subsequently included in "Psychocandy", undoubtedly one of the best LP's in the history of contemporary music and key ring chain Velvet white noise, Sonic Youth, Suicide, Spacemen 3-My Bloody Valentine. Rarely

a title so faithfully reflected inside as "Psychocandy" a devastating effect anfetaminizado candy. Blend on the Beach Boys and the Supremes on "White Light / White Heat" The Velvet undergorund, or worse, in "Metal Machine Music" by Lou Reed in a full-band concept, aesthetics, sound and attitude to service of a single idea. Call sound, ethical and aesthetic. Thickets of sharp and loud guitars, sweet melodies performed poisoned voice from beyond the grave. This existential violence unhealthy Joy Division mixed with the sweetness of pop and rock n'roll primitive hedonism. Meat, death, sex, religion dark and flowing for a stupidly provocative texts, narcissistic and banal aphorism became the youth needed a cry and wanting to assert without really knowing why, as has always been and been and will be the rock and roll. Because if we understand the rock n 'roll as a spirit, as music that encourages you to fuck, to shovel out the window or break glass with his fists, "PSICHOCANDY" was and is a thousand times more rock n roll that "Born in the USA "Bruce Springsteen. And a thousand times suggestive.

source: www.sysvisions.com

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The Barracudas - Drop out with me

The year is 1978, and a studded London post-punkers, a band shows the way to a better life. Yes, The Barracudas, whose hit single "Summer Fun" comes in numerous compilations soon ... Well, over the summer. The Barracudas, garage punk prophets, whose ownership of a genuine Flamin 'Groovie marked them as the European voice of nostalgic of the 60 scale.

"I'm very proud of" Drop Out ". We recorded 5 songs in summer and the rest in September 1980. For the first session at Rockfield ("His Last Summer", "On The Strip", "1965", "Surfers Are Back" and "Violent Times") were on the crest of the wave. We were in the charts and we were passing as ever in our life. By September, the dream began to fracture at the edges. "His Last Summer" was succeeding but we discovered that our management was stealing. But we concentrate on the music. Season was also "magic mushrooms" in Rockfield and perhaps wanted to be taken more seriously. "Codeine", "This Is My Time" or "Somewhere Outside" maybe it was less fun because they wanted to be the new Flaming Groovies! And we were close when Chris Wilson joined us in 82! "

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Beef - Beef

The group's history dates back to late evening, when talk of an independent scene in Spain was still little more than science fiction. There were groups there were almost no seals, and most of the media ignored a few interesting groups. The prevailing mediocrity caused a chain reaction leading to the lush abundance of the first 90. Among that are ahead of their time were BACH IS DEAD, the group almost mythical proportions formed in 1988 in Sant Feliu de Llobregat, who opened the box of thunder with their acclaimed LP "Sonotone."

In 1993, after the separation of BACH IS DEAD, David, who shared a four-track with some friends (STEREORENT) gives a model home to Servando Carballar (who wanted to sign BACH IS DEAD) under the new name of BEEF. "Beef Songs" was released in 1994. The album went somewhat unnoticed (in part because of the problems that lead to the disappearance of the company, magnetic fabric), but gives enough hints of the genius that we would meet later. With the group free from restrictions, Watercolor (then sublabel Elefant Records) decided to release in single session "Beef Sings," recorded before the LP. David then started rehearsing with his current group: Juanjo (also in STEREORENT) Joanra (currently outside the group, and its own project LOVE OF LESBIAN) and Ernie (also in distress), and give the first concert with the band. to

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songs Pavement - Crooked Rain, Crooked Rain

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Pavement on U.S. soil came in the late eighties as mainstays of alternative music. With lo-fi production, cryptic lyrics and acute literary depth, intimate sonic appearances, raw, fractured writes with appreciation of the distortion without neglecting the melody, and mainly influenced by the Velvet Underground, The Fall or noise-pop of the Pixies, with occasional traces of Dinosaur Jr, The Kinks, REM, The Cure and Sonic Youth The group led by Stephen Malkmus became one of the most prominent alternative conuntos 90.

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The Dream Syndicate - The days of wine and roses


THE DREAM SYNDICATE

were once one of the main stars in the California Paisley Underground scene. A movement claiming employment as a common aesthetic consciousness, then declared obsolete, instrumentation traditional rock, some of the fierce impulses and the punk ethic of "DIY", a deep love for the psychedelic sixties, and finally the veneration particularly by a specific name of the canon of classic rock, which eventually contributed to giving each band its own profile. Together with other local scenes of different latitudes of American geography formed accidentally in Europe came to be called the New American Rock.

THE DREAM SYNDICATE, from these premises chose to move to sunny California west coast the dark waves of electrical current VELVET UNDERGROUND, its main reference. The powerful and unusual storm guitars that live unleashed KARL precoder and Wynn, at that time were already quite forgotten, and somehow made them perhaps the band's most critically appreciated. Concert THE DREAM SYNDICATE could be one day wonders of synthesis, playing the punk songs like torpedoes, and another opposite, leaving the interpretation to bring an issue to a development full of electricity unconscious for twenty minutes.

This record is substantial: there are many things that keep him. For example, strong yet flexible to the chemistry of the band. The surprisingly so natural to insert the tradition of experimental rock New York in the context of classic rock. The peculiar mix of energy and safe first-maturity of a debut album like this. The incendiary Karl ability precoder, a tightrope Majara the strings of his guitar, always walking the edge of a fall without a net, drawing unexpected spiral filter influences of people like LOU REED, TOM Verlaine, Neil Young or a sound unquestionably personal .

source: feedback-zine