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miles davis - kind of blues

half a century ago, Miles Davis changed the history of music with "Kind of Blue".

Kind of Blue "has been considered the most important jazz album, one of the great works of music of all time and a huge commercial success, with over four million copies sold since its publication in 1959.
"How is it possible to reach the minimum study and come up with something eternal?" asks the guitarist Carlos Santana in the documentary about the recording of the album included in the Sony-BMG reissue goes on sale next week Spain.
Miles Davis (1926-1991) was only an outline of the intended record songs, but to create his masterpiece took just ten hours, spread over two sessions on 2 March and 22 April 1959.
American trumpeter was joined by an exceptional group of musicians in those sessions that were held in the Columbia study on Calle 30 in New York.
The study, now dead, had been built on an ancient Armenian church and its wooden rooms offering excellent acoustics. Miles
accompanied the legendary saxophonist John Coltrane and bassist Paul Chambers, two members of the famous quintet of trumpeter was launched in mid-fifties and which signed a memorable series of albums that began with "'Round About Midnight" (1955).
The team was completed by Julian "Cannonball" Adderley on alto sax, Jimmy Cobb, the only member who still lives ", on drums, and Bill Evans, the only white-band, on piano. Pianist Wynton Kelly
worked in one of six tracks from the album, the sparkling "Freddie Freeloader."
The skill of these musicians and their inspiration in these sessions enabled them to record in one take each of the five pieces included on the disc, something that was unusual at that time.
themes emerged from the improvisation and experimentation with music modal-based scales, techniques that Miles had performed in 1957 on the soundtrack of "Elevator to the Gallows, Louis Malle, and the album" Milestones ", a year later.
The result of "Kind of Blue", a work created from start to finish in the recording studio, was so powerful that half a century later is still the subject of debate among fans and specialists.
That album did not propose a simple title sequence, but an entire art project: a sound journey that began with the famous "So what" and concluded with "Flamenco Sketches", a theme of English influences.
The album won the class Inquiring Minds half of the time and gave a new dimension to jazz.
But his influence reached other genres, and advanced to the concept albums released in the sixties, as the iconic "Sgt Pepper's" of the Beatles.

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Animal Collective - Merriweather pavilion



Coming from Baltimore, Animal Collective have become one of the few bands that exemplify to perfection what should be the twenty-first century music, a constant evolution of sound and looking to open new paths from experimentation while remaining back the breath of pop tunes.

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magazine - real life

Since forming the band in 1977, Devoto wanted a different group to the above, the Buzzcocks, was the time of punk, the whole industry was in favor of the genre, but wanted something more experimental Devoto, an influence "around a bit" experimental punk and codes such as gender krautrock, the album "Low" of David Bowie groups and progressive rock as Pink Floyd and the glam band Roxy Music . Devoto were summoned his companions the album "Low" as an example of influence of the band during the early days.

Some material on "Real Life" had given birth while still in Buzzcocks Devoto, for the most successful song from the album "Shot By Both Sides" (which had been released in a single in February 78), contained the guitar part that also characterized the song "Lipstick" of that band and I moved while

Pete Shelley's voice had taken place Devoto. The song Shot By Both Sides is credited to Shelley, Devoto and McGeoch, who also was the one who designed most of the album.

Devoto and McGeoch had met in 1977 and the first he was prepared to second place in Magazine. The songs were composed in that year for both, with the exception of "Motorcade", composed by Devoto and Bob Dickinson, the band's first keyboardist.
Despite the big difference I had with the musical rhythms in vogue, like punk or disco, "Real Life" if admiration be learned, reaching a top middle position 50 of 1978

. Their innovative sound would like.

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galaxie 500 - on fire

guitarist Dean Wareham, drummer Damon Krukowski and bassist Naomi Yang had met at the Dalton School in New York , but began playing together in their time as students at Harvard University . Wareham and Krukowski had formed a group called Speedy and the Castanets, whose bass player had left. Vacancy under the covered Yang and the group's name changed to Galaxie 500, a friend's car (a Ford of 60, Galaxie 500).
The group began to give concerts in Boston and New York, and recorded a demo sent to the chief and producer of the Shimmy Disc label, Mark Kramer, who agreed to be the producer of the band.
after checks with Kramer, the group recorded the single "Tugboat" and the flexi-disc "Oblivious", and continued recording the album Today, which was released on the small label Aurora. In 1989 they signed with Rough Trade and released their second album, On Fire, which is considered the defining moment of the band. On Fire hit No. 7 on the list indie UK and received rave reviews in that country. However, it was so well received by the U.S. media, citing Wareham vocal limitations as a weakness.

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